Museum 21. Oktober
[ko-fi.com]
[ko-fi.com]
Serbo-Croatian:
Spomen-muzej "21. oktobar" Kragujevac
Spomen-muzej „21. oktobar“ Kragujevac je podignut 1976. godine kao sastavni deo Spomen-parka „Kragujevački oktobar“. Zgrada muzeja kao najmarkatnija građevina na prostoru Spomen parka, podignuta je po projektu arhitekata Ivana Antića i Ivanke Raspopović u periodu od 1971. do 1976. godine.
Simbolika oktobarske tragedije i nagalašena stilska jasnoća prenesena je kao osnova arhitektonske koncepcije izgrađene u natur betonu i obleženom crvenom opekom. Osnova se sastoji od 30 radikalno uprošćenih kubusa, koji se grupišu u snopove, što predstavlja 30 masovnih grobnica u Memorijalnom prostoru.
Kubusi su različite visine, od 4m do 21m, kao što je bila i različita starost streljanih, od dvanaestogodišnjaka do starijih ljudi od sedamdeset godina. Odusustvo otvora na fasadama simbolizuje bezizlaz i beznađe ljudi ispred mitraljeskih cevi, koji kao da su iznenada bili ubačeni u duboke, mračne bunare, dok otvori od pleksiglasa na vrhovima kubusa su udaljeni tragovi svetlosti i poslednji pogledi streljanih, upereni ka ♥♥♥♥.
U osnovi plana zgrade je krst, opšte poznati hrišćanski simbol stradanja, ali i trijumfa i pobede.
English:
Memorial Museum "21. October" Kragujevac
Memorial Museum "21. October "Kragujevac was built in 1976 as an integral part of the Memorial Park" Kragujevac October ". The museum building, as the most prominent building in the area of the Memorial Park, was erected according to the project of architects Ivan Antić and Ivanka Raspopović in the period from 1971 to 1976.
The symbolism of the October tragedy and the emphasized stylistic clarity was transferred as the basis of the architectural concept built in natural concrete and lined with red brick. The base consists of 30 cubes, which are grouped into bundles, which represent 30 mass graves in the Memorial Space.
The cubes are of different heights, from 4m to 21m, as was the different ages of the executed, from twelve-year-olds to people older than seventy. The absence of openings on the facades symbolizes the hopelessness and hopelessness of the people in front of the machine gun barrels, who seemed to be suddenly thrown into deep, dark wells, while the plexiglass openings on the tops of the cubes are distant traces of light and the last glances of the shot.
The plan of the building is based on the cross, a well-known Christian symbol of suffering, but also of triumph and victory.
